Drop the customer file, type the work order the way you already write it — plated, press-ready output comes back in seconds, with the reprint-causing errors caught first.
No card required · sample jobs loaded so you can try it in 60 seconds · built with a working Minuteman Press shop
Item: Booklet Flat: 11 x 8.5 · Finished: 5.5 x 8.5 Bindery: Saddle-stitch Turn into a 44-page saddle-stitched booklet. Plate 2-up on 12x18, 0.25" gutter. Send: booklet, plate.
That sheet is our own 44-page brochure, plated by the engine that made this page. Customer files never appear here — see the FAQ.
↑ That drop zone is real — drop one of your customer files for a free instant check. No signup, no card.
Upload the customer's PDF and paste the job exactly how you'd write it — "44-page saddle-stitch booklet, plate 2-up on 12×18." No forms.
Preflight, CMYK, fonts, bleed, low-res images and logos — then the imposition: n-up, front/back, or full saddle-stitch booklet, plated to your sheet.
Download the fixed file and the plated sheet — with any judgment call (overprint, bleed, soft image) flagged for your operator to eyeball before press.
Three jobs, exactly as the engine ran them — the typed order, the customer file, and the press-ready sheet it returned.
"500 business cards 3.5x2, gang on 12x18"
→ 24-up, crop marks, bleed carried through · 78% of the sheet becomes product · 21 sheets for the run
"500 5x7 show flyers, double sided, plate on 12x18"
→ 4-up, fronts one side, each back mirrored behind its own front — duplexes correctly, no guessing
"sticker pack, 3x3 each, gang the whole set on 12x18"
→ a full sticker set ganged in cutting order — grouped bands, every crop mark placed, fewer cutter setups
RGB→CMYK, embed fonts, bump hairlines, apply the press-quality preset — every file, automatically.
Detects a pasted low-res logo and rebuilds it as crisp vector art — without touching the rest of the file.
Low-res photos bumped toward 300 DPI so they print clean instead of jagged — flagged when they're too far gone.
Place cards, tickets, name tents — every page laid up across the sheet, max-fit, with crop marks and bleed.
Reorders reader pages into printer spreads with spine-creep compensation for your paper caliper — folds, trims, and reads correctly.
Catches missing bleed and risky overprint and flags them for your operator — the errors that cause reprints.
Point our watcher at a folder on the shop machine. Files dropped in get processed with that folder's standing work order — plates ready by morning.
Upload a template and a CSV — name tents, badges, direct mail. Every record filled, flattened, and imposed n-up in one job.
Merge files, extract page ranges, pad blanks for duplexing, force to standard sizes — and locked customer PDFs come out unlocked.
One engine, plated the way your press wants it — and the everyday jobs it has already run in a working shop.
12×18, 13×19, SRA3 — any sheet your machine runs, with your gutters and crop marks. Booklets plate one signature per sheet, so collated sets come off the press, get one cut, and fall together in order.
Signatures gang onto one image for long identical runs, total ink coverage is checked against your TAC limit, and registration marks + CMYK color bars draw into the margins on request.
Preflight, resize to the stated finished size, bleed built from the edge art, resolution checked — on any sheet size you name. Your RIP keeps doing the roll-media layout; we hand it clean files.
Corrected daily by a thirty-year prepress veteran — when the shop finds something, the fix usually ships the same day. The latest three, straight from the changelog:
An 8-page booklet plated by hand: open the file, check the page order, build the signature, mind the creep, place the marks — twenty minutes when nothing's weird. Here it's one typed sentence and about nine seconds. No rigid job templates to configure, no specialist to hire, no per-seat license — the work order your team already writes is the setup.
It's not a new system to roll out. Nothing migrates, nothing gets configured, nobody sits through a training day. It's a new hire: hand it one job — and hand it more once it earns them.
No — that's the design rule the whole product is built on. There's nothing to migrate (no customer lists, no price books, no templates), settings ship with working defaults, and the unit of adoption is one job: run your booklets through it and change nothing else, forever, if that's what works. The deeper automation — email intake, hot folders — is there when you ask for it, never required. If a feature would make you feel like you're revamping the shop, we don't ship it.
Files are processed on secured servers, stored privately per shop (no other shop can ever see them), and never used for anything but your job. Want something purged? One email and it's gone.
That's half of why it exists. RGB Canva exports get converted to CMYK, flattened files are no problem (we fix mechanically — no editing needed), missing bleed is generated automatically by mirroring the edge artwork, and a bare PNG or JPG out of Canva or ChatGPT converts straight to a print-ready PDF. Drop the file, type the size you need, done.
Nothing goes to press without your eyes. Every job shows you exactly how the order was read before you print, and anything the engine isn't sure about — real overprint risk, missing bleed, soft images — gets flagged for a human. Re-runs are instant and free.
Digital and offset, on any sheet you name in the work order ("plate on 13x19.5", "20x29 sheet") — with your shop's gutters, margins, and crop-mark conventions. Digital plating is the default; say "offset" and signatures gang for long runs with TAC ink-limit checks and press furniture on request. Wide-format work gets preflighted and sized clean for your RIP. Leave the sheet out and the engine picks the best fit from your usual sizes.
No — it runs in the browser. If you want hot folders (drop files in a folder, plates appear), we set up a small watcher on your shop machine for you. Works on Mac and Windows.
Your first 20 jobs are free — full engine, no card, no time limit. After that it's one flat rate, posted right here: $500/mo founding rate per shop (unlimited jobs and users, no per-seat licenses, no contract; $800 list), locked for life for the first 25 shops. Multi-location groups run $1,500/mo for up to 5 shops.
Thirty years of doing this by hand, and I put its plates up against mine on a real booklet job — I'd run its sheets. It reads a work order the way my best people do, and when I told it the crop marks sat too close to the trim, the fix was live the same day. It's in my shop now.
We're a busy shop and I have zero patience for new systems — we've been burned before. This wasn't one. My counter person ran her first job the morning we tried it, no training, and the files came back right. It's just how we do prepress now.
I dropped a real customer file in and typed the ticket the way I'd hand it to my crew. The plates were back before I finished my coffee — and I checked them the way I check everything. They were right. Every shop I know has a pile this thing would eat.
Start free, no card required. The founding rate locks in for life when billing starts — and your first 20 jobs are on us either way.
The full engine, not a demo. No card, no clock — your 20 jobs wait until you have time.
Like what it does? Your shop and settings carry straight into Founding.
The whole prepress bench — unlimited jobs, unlimited users, no per-seat licenses, no contract.
No contract, cancel anytime. If it doesn't pay for itself in saved prepress hours in month one, that month's on us.
For owners running multiple shops — one brain, every location cutting the same way.
More than 5 locations? We'll build you a number.
We'll run them through Plateroom and send back the press-ready plates — free, no call, no setup. If the output isn't good enough for your press, you've lost nothing.